Order of Appearance in Film:
60s, 70s, 80s, 90s, 00s, 10s
1. Django Theme Song – Rock Roberts (1966)
2. Rito finale (from "The Family”) (1970)
3. The Braying Mule - Ennio Morricone (from "Two Mules for Sister Sara”) (1970)
4. Lo Chiamavano King - Luis Bacalov (from "Lo Chiamavano King” (1971)
5. Norme Con Ironie - Ennio Morricone (1970)
6. Gavotte - Arranged by Grace Collins
7. Town of Silence - Luis Bacalov (mixed for the film in 2012) (originally from Django 66)
8. Freedom - Anthony Hamilton & Elayna Boynton (2012)
9. La Corsa (2nd Version) - Luis Bacalov (mixed for the film in 2012) (originally from Django 66)
10. I Got a Name - Jim Croce (1973)
11. Dies Irae (Requiem)- from "Battle Royale (2000)
12. I Giorni Dell'ira - Riz Ortolani (from "Day of Anger) (1967)
13. The Big Risk - Ennio Morricone (1970)
14. 100 Black Coffins - Rick Ross (2012)
15. Minacciosamente Lotano _ Ennio Morricone (from "Hellbenders”) (1967)
16. Trackers Chant - Ted Neeley (2012)
17. Nicaragua - Jerry Goldsmith (from Underfire) (1983)
18. Ancora Qui - Ennio Morricone and Elisa Toffoli (2012)
19. Sister Sara's Theme - Ennio Morricone (from "Two Mules for Sister Sara”) (1970)
20. Blue Dark Waltz - Luis Bacalov (1966) (originally from Django 66)
21. Für Elise - Ludwig van Beethoven (arranged for Harp for the film in 2012)
22. Unchained (The Payback/Untouchable) - James Brown and Tupac Shakur (mixed in 2012)
23. Who Did That to You - John Legend (2012)
24. Ain't No - Johnny Cash (released after death ) (2010)
25. Too Old to Die Young - Dege Legg (2010)
26. Un Monumento - Ennio Morricone (from "Hellbenders”) (1967)
27. Trinity: Titoli - Annibale E I Cantori Moderni (1970)
Although many of the music included is from the same year as the film, this is due to the fact is was mixed at this time. Songs such as ‘Untouchable’ and ‘La Corsa 2nd Version” were created by bringing together older pieces of music. By doing this Ennio Morricone and Quentin Tarintino were able to create an older feel to the film and convey genre conventions of older spaghetti westerns. At the same time, more modern songs were also included, that contrasted with the genre of the film greatly. Songs such as '100 Black Coffins' which features the rapper 'Rick Ross', are very peculiar alongside the genre and setting of the film. This is a very stereotypical conventional style of Tarintino’s.
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